un progetto, iniziato nel 1995 con la denominazione ARCO, Arte & Letteratura, Psicologia e Comunicazione, che si propone, tanto nel mondo virtuale di Internet, quanto nel mondo reale, di facilitare l’incontro tra chi a vario titolo vive e desidera condividere disagi derivanti da problemi della salute, fisica e mentale, e di promuovere la riabilitazione psichiatrica e l’auto reciproco aiuto, con modalità e strumenti anche derivanti dalle moderne tecnologie informatiche, che favoriscano il reciproco accompagnamento e sostegno, a partire da basi culturali e da conoscenze tecniche e scientifiche condivise, con l’ausilio, per quanto è possibile, di siti, weblog, forum, chat, messenger . Mimir (antica divinità delle Fonti) evoca la Memoria e le Memorie, personali, sociali, condivise e condivisibili.
* Assistenza nella preparazione di Esami e Tesi
* Aiuto nello studio Scuole Primarie, Secondarie, Università, per problemi di apprendimento, linguaggio, memoria
* Aiuto e accompagnamento per persone con disabilità e/o malattie croniche e invalidanti, per uscire dall'emarginazione
* Corsi, informazioni, sostegno online
* Consultazioni e psicoterapia, individuale e di gruppo, nella sede di Brescia
micrometraggio girato in Second Life dai partecipanti a Italianiamo.
Storia e dialoghi originali, scritti ed interpretati dai partecipanti, musica creative commons
Dura 20 minuti, si intitola “Thetidia Connection“, è la prima “pellicola” nell’universo virtuale
Lo dirige Adelchi Battista, già autore di programmi per la radio e la televisione
SL, arriva il primo film italiano
è un noir, con voci d’eccezione
SL, arriva il primo film italiano
è un noir, con voci d’eccezione
Un noir di venti minuti, titolo Thetidia Connection. Ecco il primo film italiano realizzato in Second Life, l’universo virtuale frequentato da oltre 9 milioni e mezzo di avatar. Prodotto da Itland Entertainment, la società di Luigi Vandeverre proprietario, con Beppe Rossini, di una delle isole più frequentate dagli italiani in Second Life, ovvero, appunto, Itland. A dirigere il film, Adelchi Rossini, che nella vita reale si chiama Adelchi Battista, ha quarant’anni ed è autore di diversi programmi per la radio e la tv, oltre ad aver firmato, fra le altre cose, la colonna sonora di Fascisti su Marte di Corrado Guzzanti.
Primo lungometraggio italiano in second life, machinima, presentato ufficialmente alla Presidenza del Consiglio dei Ministri, promosso dal Ministero per le Pari opportunita’: campagna per la lotta contro il tumore al seno, realizzato in second life da Roberta CirilloakaLoren Merlin, nel 2008. Durata del film versione integrale: 60′
VOLAVOLA: BIRTH OF A GENRE
Il nuovo film di Berardo Carboni (Premio Miglior Regia al Gallio Film Festival per “Shooting Silvio” 20th century fox)
è girato anche nella modalità completamente “second life” detta MACHINIMA.
Ecco una Demo di alcuni minuti.
credits:
Directed by Berardo Carboni
Screenplay by Berardo Carboni and Mario Gerosa
machinimatography by Evo Szuyuan
Asistant Director and casting by Fau Ferdinand
Scenography by Stella Costello
Costume and Avatar design by Honey Fairweather
In world production by Liz Solo
Edited by Simone bellonio
produced and sponsored by Arnaldo Guido, Jerry Katell, Isabella Arnoud, Alessandro Di Carlo (Mediterranea), Roberto D’eramo, Fioravante Allegrino (Sogeda), Marco
D’agostino
Xidd – Flying Serpent (Slytherin) is back over Rodasia, a few month after, March 11, 2010
Rodasia 10 Marzo 2010
Art&Mente Studios, Rodasia, 7 Marzo 2010
Art&Mente Studios a Rodasia http://maps.secondlife.com/secondlife/Rodasia/123/40/28 Artworks by Yaia Nishi and Elle Ellesmere, Psychological and Health Stuff by Lapsus Weinstein, Moodle and Sloodle by elenikalai Naxos, with the contribution of many other people with their works in progress on our Sandbox
Capolavori di Yaia Nishi ed Elle Ellsmere, pannelli e altro materiale informativo in tema di psicologia e salute di Lapsus Weinstein, Moodle e Sloodle, di elenikalai Naxos, col contributo di molti altri creativi, con i loro lavori in corso sulla Sandbox del gruppo.
The Poetry of Reality is the fifth installment in the Symphony of Science music video series. It features 12 scientists and science enthusiasts, including Michael Shermer, Jacob Bronowski, Carl Sagan, Neil deGrasse Tyson, Richard Dawkins, Jill Tarter, Lawrence Krauss, Richard Feynman, Brian Greene, Stephen Hawking, Carolyn Porco, and PZ Myers, promoting science through words of wisdom.
[Michael Shermer]
Science is the best tool ever devised
For understanding how the world works
[Jacob Bronowski]
Science is a very human form of knowledge
We are always at the brink of the known
[Carl Sagan]
Science is a collaborative enterprise
Spanning the generations
We remember those who prepared the way
Seeing for them also
[Neil deGrasse Tyson]
If you’re scientifically literate,
The world looks very different to you
And that understanding empowers you
Refrain:
[Richard Dawkins]
There’s real poetry in the real world
Science is the poetry of reality
[Sagan]
We can do science
And with it, we can improve our lives
[Jill Tarter]
The story of humans is the story of ideas
That shine light into dark corners
[Lawrence Krauss]
Scientists love mysteries
They love not knowing
[Richard Feynman]
I don’t feel frightened by not knowing things
I think it’s much more interesting
[Brian Greene]
There’s a larger universal reality
of which we are all a part
[Stephen Hawking]
The further we probe into the universe
The more remarkable are the discoveries we make
[Carolyn Porco]
The quest for the truth, in and of itself,
Is a story that’s filled with insights
(Refrain)
[Greene]
From our lonely point in the cosmos
We have through the power of thought
Been able to peer back to a brief moment
After the beginning of the universe
[PZ Myers]
I think that science changes the way your mind works
To think a little more deeply about things
[Dawkins]
Science replaces private predjudice
With publicly verifiable evidence
“We Are All Connected” was made from sampling Carl Sagan’s Cosmos, The History Channel’s Universe series, Richard Feynman’s 1983 interviews, Neil deGrasse Tyson’s cosmic sermon, and Bill Nye’s Eyes of Nye Series, plus added visuals from The Elegant Universe (NOVA), Stephen Hawking’s Universe, Cosmos, the Powers of 10, and more. It is a tribute to great minds of science, intended to spread scientific knowledge and philosophy through the medium of music.
[deGrasse Tyson]
We are all connected;
To each other, biologically
To the earth, chemically
To the rest of the universe atomically
[Feynman]
I think nature’s imagination
Is so much greater than man’s
She’s never going to let us relax
[Sagan]
We live in an in-between universe
Where things change all right
But according to patterns, rules,
Or as we call them, laws of nature
[Nye]
I’m this guy standing on a planet
Really I’m just a speck
Compared with a star, the planet is just another speck
To think about all of this
To think about the vast emptiness of space
There’s billions and billions of stars
Billions and billions of specks
[Sagan]
The beauty of a living thing is not the atoms that go into it
But the way those atoms are put together
The cosmos is also within us
We’re made of star stuff
We are a way for the cosmos to know itself
Across the sea of space
The stars are other suns
We have traveled this way before
And there is much to be learned
I find it elevating and exhilarating
To discover that we live in a universe
Which permits the evolution of molecular machines
As intricate and subtle as we
[deGrasse Tyson]
I know that the molecules in my body are traceable
To phenomena in the cosmos
That makes me want to grab people in the street
And say, have you heard this??
(Richard Feynman on hand drums and chanting)
[Feynman]
There’s this tremendous mess
Of waves all over in space
Which is the light bouncing around the room
And going from one thing to the other
And it’s all really there
But you gotta stop and think about it
About the complexity to really get the pleasure
And it’s all really there
The inconceivable nature of nature
Second Life Shared Media (SLSM) at Art&Mente Studios
Shared Media
Second Life Shared Media (SLSM) makes sharing standard web-based media in Second Life easy and seamless, enabling content creators to make more compelling, interactive experiences. Watch the Shared Media video tutorial. Highlights:
Any texture face can be replaced with media Simply go into edit for the object you with to apply a media texture, click the “Select Face” radio button. Then click the Textures tab in the Build/Edit floater. At the bottom of the Textures pane is the Media section, click the plus (+) button to open the Media Settings floater. Here you can add the URL to the media you want to add, as well as set permissions, and controls. On Windows and Mac you can also simply drag a URL directly onto the object face on which you wish to apply Media and have it apply instantly with some default settings. Note: This is currently not supported on Linux.
Supported media types include video, audio, and Flash Shared Media features provide support for the most popular media formats, including Flash, MP3, and QuickTime.
Access the Internet/Web from inside SL Fully-functional web browsers available on any texture face.
Quick Tips…
Shared Media: A common question is whether people viewing the same Shared Media web page in-world will see the same thing. The answer depends upon the kind of web page that is being viewed. If the web content was engineered to not be shared, for example CNN.com or BBC.com, then everyone will see the same thing. If the web content was designed to be shared, such as Google Maps, then it’s possible that each Resident will see something slightly different — for example, their own login page.
Tradotto:
“allora se tu logghi su un prims gli altri cosa vedono? hai provato?”
A parte questioni sempre possibili di sicurezza, hackeraggio, bug del browser di SL 2.0 (è lo stesso che si attiva anche scrivendo nella riga in alto del visore ( o viewer), inserendo una url invece che una slurl, e che, tra l’altro, rifiuta di aprire finestre di ‘pop up’) ciascuno vede cose diverse, come se ciascuno stesse usando il proprio browser normale (IE, Firefox ecc).
Questo è meno evidente se io attivo il mio ‘medium’, ad esempio un video youtube, e ci sono altri presenti:
sul momento chi è presente vede la stessa pagina web, ascolta il medesimo audio, vede lo stesso video.
Ma quando poi inizia a navigare sulla ‘faccia’ attiva di un oggetto (a tutti gli effetti un browser) da quel momento in poi ciascuno ‘vede’ cose diverse.
E, a maggior ragione, laddove occorre effettuare un ‘login‘.
Se io ad esempio effettuo il mio login su Facebook, un altro presente continua a vedere una pagina come se non fosse ‘loggato’, e se a sua volta effettua il login, vede Facebook come lo vedrebbe sul proprio browser abituale, ovvero i propri amici, profili eccetera, ed esclusivamente quelli.
Un’applicazione che vale la pena di testare è in questo senso senz’altro Moodle.
Here we are drawing on the object…
URL was dragged onto a prim (where person has permissions).. then we could all draw on it.. shared media object http://colorillo.com/awhv?3v5aqn
Video di qualunque tipo e fonte visibili con un click, e intere playlist Youtube o di altra origine.
Un’immensa miniera per l’elearning, il reciproco apprendimento e insegnamento nel mondo virtuale !
Here’s a short video showing another interesting aspect of the new Second Life 2.0 Viewer: using Shared Media to bring other virtual worlds into Second Life. I hope you find it useful.
The new “Linden Homes” continent of >Nascera has expanded greatly in the last week. We have placed a lot of roads and rivers for Residents to follow … but initially they aren’t parcelled off to allow scripted vehicles (except in the beta-launch Regions).
Molly Linden and myself will be parcelling the roads and rivers, so you’ll be able to get around. There’s a largish sea area already present with scripting turned on; there’s an open-sea rez zone too. We’re looking forward to seeing Residents zipping about the Nasceran highways and waterways!
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